It is the season to slob out on the sofa and consume a tin of festive treats in front of a good movie, a poor film, or one that’s awesomely awful.
This year, a batch of latest Christmas films hopes to be part of our seasonal watchlist—maybe even finding a spot alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (don’t start).
Thus, in a noble effort to sort the crackers from the turkeys, and to find the holiday mood, I marathoned as many fresh festive movies as possible in a single day.
Beginning, hopefully, on a good foot. This film is the exclusive 2025 title on a well-known aggregator's list of the top 100 Christmas movies of all time.
The musical trio find themselves trapped in the UK after concluding their international trek and must return for Christmas. Their efforts are hampered by an malevolent Father Christmas, who breaks into song to state they won’t get home until they “find their familial spark.”
The repartee between the bickering brothers is enjoyable even for the uninitiated, while followers will undoubtedly pick up on lots of in-jokes as they try to get back using every mode of travel possible.
It’s a journey of epic proportions.
It’s not an all-time classic, but is excellent for fans and a good start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who must sit through it.
Famous performer Kiefer Sutherland stars as a Hollywood star roped into a pantomime.
“A panto-what?” asks Sutherland’s “temperamental” and older lead Brad Mack, who has fallen on hard times and whose representative has misled him into thinking he’s appearing in high-class London stage.
His pantomime fellow actors tell him he’s playing Buttons. “No I'm not,” he insists angrily. It's easy to predict their retort. That is, unless you’re unfamiliar with traditional British theatre traditions.
There are some very funny lines, some cockle-warming sub-plots, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit tacky at a different time, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
An actor appears at the beginning of this film, too, delivering a signature line for the next movie straight. Might this become a budding festive ritual?
This time, he’s a crooning chauffeur who picks up Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The classic narrative develops as the miserly Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least different from all the others, but unfortunately he’s not very compelling and Nayyar’s acting is lifeless—a significant issue when he’s so central to everything.
Festive score: 🎄🎄
There's just enough time for a channel's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “avoids Christmas.”
But after he is awarded an large festive windfall at work, his wife (starring Morgana Robinson) persuades him blowing the money on a holiday to Lapland.
There’s just one issue—he finds out there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to pay back the excess.
Pleasant yet unmemorable.
Christmas tree rating: 🎄🎄
This is one of those holiday movies where the festive trappings are in the setting—Christmas is the setting of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.
Driven corporate star Sydney (played by Minka Kelly) is sent to a French chateau to secure an acquisition for a champagne business. En route, she runs into a fellow in a book store who vows to show her a festive Paris.
A commentator recently declared this is the finest new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a holiday love story with a touch of class and gives the necessary warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is notable too.
Holiday verdict: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, regardless of the attempts of his dad (played by James Buckley) to tell him the reality.
The secret is to be discovered, and Chris embarks on a quest to find it with the expert help of a team of well-known scientists and personalities.
It’s understated but charming, and good viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the mother of a dysfunctional American family who gather for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the premise, but in practice it’s really a combination of those inspirations, at least until Pfeiffer’s character finally comes into her own.
Holiday verdict: 🎄🎄
The day’s gone downhill, but fortunately here’s a new entry in the saturated market of formulaic, schmaltzy, badly acted—and highly entertaining—festive fodder.
It’s a narrative as old as time: An American woman journeys to a picturesque cold country and ends up finding romance.
In this case, Caprice Bourret plays a publisher
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